Judith Levin
Best known for her gorgeously evocative heathery moorland scenes, this solo show additionally includes a wider selection of subject matter. A real treat for the senses.
No artist represents the atmospheric grandeur of our region’s upland moors with the same poignancy as Judith Levin. According to Judith, the roots of her artistic inspiration trace back to an early childhood encounter; at approximately five years old, while riding in her mother’s car, she was deeply struck by the vivid hues of the surrounding heather-covered moorland—an unfamiliar and somewhat daunting landscape. She recalls fearing that closing her eyes might cause this striking vision to vanish forever. This formative memory has continued to shape her work, imbuing each painting—whether featuring the Cow and Calf, Haworth Moor, or an unnamed moorland stream—with a profound emotional resonance that connects the viewer to the environment. Judith’s paintings frequently capture moments when sunlight breaks through mist or low cloud, infusing the scene with warmth and optimism.
In addition to landscapes, Judith Levin demonstrates versatility by working across a range of subjects, notably still lifes. Her floral arrangements are rendered with subtlety, intentionally avoiding rigid symmetry, while fallen petals evoke the transient nature of beauty. Across both genres, nostalgia for early impressions is evident throughout her oeuvre.
A notable development in Levin’s latest works concerns scale. Previously, she created large-scale pieces in her north Leeds studio, situated in a historic mansion. The space, although in decline, offered ample room and lighting suitable for expansive canvases—often requiring special transportation. Now, residing in more comfortable accommodation, Levin’s works are generally smaller in size, though they retain their distinctive charm.
The exhibition is accompanied by a selection of 3D work including new ceramics by Kath Bonson, Turned wood by John Douglas and combinations of woos and ceramics by Nadine Blakemore and John Douglas