The Gallery will be launching its traditional Christmas show on the evening of Wednesday 16th November. The show is always something a bit special; a selection box of favourites, hopefully without the orange creams. Many of our regular exhibitors have prepared new work, some of the highlights of this year’s exhibitions have been brought back and a little space has been left for new artists whose work has caught my eye during the year. The front exhibition space in the gallery will have over 20 artists’ work on show – an eclectic mix with something to suit all tastes and, given the current economic concerns, we’ve done our best to include a range of affordable gifts.

Don’t miss our Launch on Wednesday 16 November 7-9pm

Jeremy Taylor

Jeremy Taylor was largely the person who gave me the self confidence to become a professional artist  and, as a tutor, has helped very many others to improve their art, but he’s also a very fine artist himself. One of my highlights this year was a show marking his tentative return to painting. We’re therefore particularly chuffed that he has kept up the painting and provided us with four new works featuring our region’s landscapes.

Josie Barraclough

Josie was actually born on the coast at Scarborough but her life as a painter, illustrator and teacher has taken her far afield and she’s now based in West Yorkshire. Using oil paint on a collage of printed clippings, her work literally incorporates layers of meaning but her work remains fresh and appealing.

L. Amy Charlesworth

All regulars at the Gallery will know Amy’s work. Hyper-realist but with quirks of perspective and dramatiisation, not to mention humour, it’s very distinctive. For something totally new have a look at Amy’s carving skills on the Owl Log

For more of Judith’s work at the gallery click HERE

Judith Levin

Leeds–based artist Judith Levin’s misty moorland oil paintings capture the beauty of these iconic, yet vulnerable, Yorkshire landscapes with purple heather and soft, misty skies. As Judith commented …… “Conservation of the land is so important; we cannot let the beautiful, local landscape fade away into distant memory.”

For more of Judith’s work at the gallery click HERE

Suzanne McQuade

Suzanne is a watercolor painter in the classic tradition who aims to capture the peace and tranquility of favorite locations, and to convey these emotions to the viewer. Suzanne admits that the medium of watercolour is a tricky one; its unpredictability can be frustrating at times, but serendipitously rewarding at others – allowing light to shine through the translucent elements of the paint.

Further, smaller, paintings by Suzanne can be found elsewhere in the gallerry. To view click here

Pam Bumby

Pam, a former art teacher, is inspired by the effect of changing light on the landscape and by how it affects atmosphere and colour. Her compact oils glow with warmth, colour and light.

For more work by Pam click HERE

Ian Brooks

Ian’s work is rooted in landscape, capturing the sense of place, distinct to specific locations. During lockdown he focussed on images of the sub-Antarctic island of South Georgia, visited whilst undertaking oceanographic research for his academic research in climate science at the University of Leeds. Other images in this exhibition feature the moors around his home in Haworth – the result of sketches made during regular walks on the moors, often revisited in different lights and seasons.

Ian works primarily with the traditional etching techniques of sugar lift and spit-bite aquatint, The image is built up in layers of tightly-controlled drawing, and more abstract, loose, semi-random marks which mimic the textures of the landscape and maintain the energy of sketches made on location. The images are acid etched on copper plates, and hand printed in the artist’s home studio on fine-art printmaking papers.

William Morrison

William Morrison’s work falls into the long British tradition of landscape art. A native of Scotland, he moved to West Yorkshire over 40 years ago. He considers the county, “with its dramatic light effects, and the ever-changing weather, cannot be bettered as place to paint. As he explains “My art practice depends on the mood of the weather and the moods inside myself”. William’s paintings may include thin layers or thick impasto oil paint, much like the built-up strata of a moorland landscape with its layers of bedrock peat and heather, such that the painting conveys a feeling of time and place.

For more of William’s work click HERE

David Starley

David, the proprietor of the Bingley Gallery, first studied art at Sydney University whilst working in a steel foundry, but then chose to follow a career in archaeology, before becoming a professional artist. He is a member of the Aire Valley Arts Group. David’s subjects explore the natural landscape of Yorkshire and beyond. Oil paint is very thickly applied (impastp) with a painting knife to produce a three-dimensional, almost sculpted, image. This not only adds great depth but produces a surface that responds subtly to the changing light of the environment in which the work is displayed.

Find more of david’s work here

Sarah Lyte (Seven hands Design)

Wilsden-based Sarah uses free motion embroidery on upcycled fabrics to depict the Yorkshire landscape in exquisite detail. As she says: ‘My Art reflects my environment and interests, with certain shapes, like the spiral, cropping up again and again, but colour, form, texture and pattern are key elements. …. Making never ceases to interest me in how it evolves. I may start with one visualisation, but the art is organic and moves to become something totally unforeseen.

Kate Stewart

Kate is a self-taught, Bradford-based artist working from her Studio in South Square, Thornton, who doesn’t like writing artist’s statements. Her work combines paint and textiles with delicate embroidery and is responds in beautiful and subtle ways to transmitted or reflected light.

One frther work by Kate can be found HERE

Kate Lycett: Embellished prints from watercolours

Kate is a Hebden Bridge based artist, whose early influences include, aged 9, being taught technical drawing by her grandfather. More formal training included studying fine art at St. John’s in York, where she specialised in textile design. When commercial design work failed to enthuse her, she returned to painting and has built a strong reputation and a loyal fan-base.

She describes her style as follows “My textile design background is always present in the way that I paintand interpret what is around me. I see patterns in everything; the hills adorned with houses and washing lines, rows of flower pots and stripes of brightly painted drain pipes. Lines of gold thread trace paths through the landscape, and gold leaf changes the surface of my pictures with the changing light of day. I want to paint beautiful pictures of the places that I love. There are never people in my pictures but they’re full of life and warmth.”

Further work by Kate can be found HERE

Jane Fielder

Jane is the former owner of the Gallery and Bingley’s best known and well-loved artist. Her popular watercolour ‘Janescapes’ portray familiar surroundings and people in full quirkiness and raise many smiles. Some of the work on show for Christmas includes  smaller works from her ‘Exciting World pf Jane Fielder’ show. But there’s also some of my favourite work by her featuring the recently demolished gas holders at Marley, Keighley.

We have a room largely devoted to Jane’s work. Not all is on the website but click HERE to see some of it

Deborah Dyer

Deborah is a Leeds-based artist who has been painting for 30 years.  She now works mainly using soft pastels as this medium allows her to capture her love of vibrant colour and texture. Deborah is inspired by sketching and painting landscapes of the moors, rivers and woodland in Yorkshire and the Lake District capturing the cloud shadows over the moors and the ever-changing dappled light amongst the woodland trees.

Dan Metcalfe

The show will also introduce a new artist to the Gallery,  Dan Metcalfe, who studied fine art at Bradford College of Art and Huddersfield University and is now based in Thornton. His oils are perhaps less ‘Turneresque’ but are still predominantly landscapes with considerable impact and a degree of abstraction, to leave something for the viewer’s own imagination.