One of our very favourite artists, Judith Levin is back with another selection of sublimely beautiful views for her new ‘Moor and Mis’t Exhibition, but we’ve added in a strong supporting cast of 3D craft artists, many new to the gallery to make this one just a bit more special – perhaps classier than our usual shows.

Do come along to the preview 7-9pm Weds 27 Sept

Judith Levin

Judith explained that she’s spent the past 24 months, primarily solitary, painting variations on a theme. This exhibition is about the beauty of the natural landscape of the region, especially when the moors are full of purple heather, the changing light, the distant mists, surprise brooks and waterfalls, walking through cloud.

Her medium is oil on canvas, but with huge differences in size, from miniature to wall size. The landscapes are predominantly of the moorland for which our region is famous, but further canvases include few still lifes: orchids, peonies and wild heather, in the same colour palette.

The Rustic Route

The First of our new stars are the two Matts who work together under the name of ‘The Rustic Route’ in nearby Eldwick. Between them as Joiner and Electrician they produce items decorated with Fractal Burning – dendritic patterns charred into the wood by sending high voltages aross the wood’s surface . They stress that all timber is from local sources, seasoned in their own woodyard. The technique is undoubtedly dangerous, but the effects are beautiful. Just don’t try this at home!

 

Richard Gibson

Our second new exhibitor is Richard Gibson, who works under the banner of Wold Wire Sculptors. He’s not the first person we’ve come across working humble chicken wire, but few can match his abitity to infuse life into the media.

Kath Bonson

After many years working in a family business, Kath studied Fine Art at Bradford College, graduating in 2010. During these studies, she rediscovered her schoolhood love of ceramics. Since then she has developed her own characteristic style and her work has been successfully shown across the country. The work is inspired by the upland landscape of Pennine Yorkshire.

Traditional techniques, refined over centuries, are combined with experimentation ‘to push at the boundaries of what clay can do’. Pieces are hand-built from stoneware or porcelain-based clays and Kath’s own paperclays which allow her additional freedom to develop the forms and structures. Individual pieces may have up to a dozen different glazes, created by Kath, layered together such that firing at a temperature of 1200°C causes them to interact and create additional texture. Kath’s “image” pieces incorporate screenprinted photographic images, to which oxide pigments are applied, to add colour and further texture.

Gavin Edwards

Having previously worked as a Cartographer, Field Archaeologist, Archaeological Curator and finally as Museum Collections Manager, working with wood is Gavin’s latest career choice. An unconventional background perhaps but, having always enjoyed working with wood, he took the opportunity to explore where his love of wood might take him.

“There is an intrinsic beauty in the fine detailing of the internal structures that are created as the tree grows, with many variations in grain quality and colour. It is this finer detail that really attracts my attention and which I hope to enhance through the way I prepare the surfaces, and by using very simple forms”

Gavin uses a wide range of native and non-native woods, birch plywood and reclaimed wood. In most cases the design element of his work is intended to showcase the character and quality of the wood itself. It is sometimes an unusual feature in the wood that provides the inspiration for the design.

Surfaces are hand sanded to a very fine level, then finished off with wood wax, rather than varnish, to allow items to develop their own character over time. Stains or paint, are used only on baseboards and designs. He believes it is the quality and appearance of the wood is that matters most.

Mike Bentley Wood turner

Mike Bentley is a traditionally trained wood turner with over forty years experience, Mike first took up turning as a teenager to meet his mother’s demand for lace bobbins. Initially these were produced using a lathe attachment for a Black and Decker drill!  Mike estimates that he has now made in excess of twenty thousand bobbins for customers across 4 continents.

Mike particularly likes working with British native timbers, hand working each piece of this natural material to reveal the beauty within the wood and letting its shape and form suggest the design of the finished piece. Mike predominantly uses either reclaimed or locally sourced timber and his pieces are hand finished using natural waxes or oils.

Jane Hurford Ceramics

Jane is a tutor at Hive community arts charity in Shipley and seems to turn her hand to a range of styles of work, often with an element of fun. Many of these are designed to be weatherproof for outdoors display.